Several thousand people filled the forecourt of the Sydney Opera House after the NSW Premier, Gladys Berejiklian, caved into the demands of right-wing shock-jock, Alan Jones to allow the projection of horse racing advertising onto the sails of the world heritage building.
In response, protesters concerned about the integrity of the Opera House, brought with them torches, projectors and lights to disrupt the advertising and called for the end to government through vested interests, including the undue influence of the broadcaster, Alan Jones.
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